Swimming With the Grandkids

Photo of striped beach towel and swim goggles

It’s any Tuesday afternoon in June and I’m at the pool at the gym with the grandkids. “How do you do that?” Cali asks after I swim a few strokes, and I’m confused. All of their other grandparents have pools in their backyards; these kids have been swimming forever.

“Go under water without holding your nose,” Cali explains, in answer to the confused look on my face. The oldest, she’ll be a sophomore this year. The other two, a rising freshman and rising seventh grader, move in, curious to hear the answer.

It’s like that moment

in the classroom when a student asks a basic question about something you’ve “just known” forever;  I have no idea why I don’t get water up my nose while I’m swimming. I go under water and take a few more strokes, trying to notice what I’m doing.

“I blow bubbles,” I tell them, and we head to the edge of the pool. Some buried childhood memory of holding onto the edge and bobbing is surfacing, and I try to explain how it works. I’m doing a bad job, and they aren’t buying it.

And then, in exactly the way my life has been going since this past March, a swimming teacher appears by the side of the pool. She suggests they hum. That does it, and after a little more coaching from the generous swim teacher, they are blowing bubbles and experimenting. Their hands, newly freed from nostril-pinching duty, are free to wave about in moves that resemble swimming.

Let me step back

for a moment to make sure I’ve made this clear. I was trying to teach the kids to swim, and a swim teacher appeared at the side of the pool.

Moments exactly like this one have been flooding my life for the past four months. I don’t mean to suggest that my life wasn’t already blessed before we decided to yank ourselves up by the roots and drive across two time zones; it’s just that, lately, the blessings have been remarkably specific, obvious, and well-timed.

It has been wondrous and just a little bit scary.

And of course, my gift of near daily small miracles stands in stark contrast to how life has been going for so many other people. When I started this essay, twelve little boys were stuck in a watery cave and immigrant children were being separated from their parents. While my essay languished, neglected as I focused on packing, a duck boat capsized in Branson, record high temperatures and flooding ravaged Japan, and fire tornados raced across California.

All over the world people are suffering, and if I so much as need a swim teacher, one appears.

I’m not sure

what to make of that phenomenon yet, so I’ll just let you know what else has been happening. On Friday, the movers came and whisked our furniture off to a warehouse in Austin, where it will live for the next few months while we gradually wend our way east. They were gentle with our things and left us feeling fairly confident that we’ll see them again.

On Saturday, we took the grandkids back-to-school shopping. Big mistake. School starts a week from tomorrow, it was tax-free weekend, and everyone who lives in Albuquerque plus most of the people in Grants and Roswell and Tucumcari were at Coronado Mall. Lines for fitting rooms and check-out counters snaked around end-caps overloaded with backpacks, t-shirts, and pencil cases.

I should admit that I made that last one up. I didn’t see a single pencil case, but I feel like I should have. There’s nothing like a new pencil case full of  freshly sharpened #2 Ticonderoga pencils to get the school year off to a good start.

Luke,  who does not love shopping with his big sisters, found a bunch of things in the first few minutes. The rest of us decided to skip the crowds and try again later in the week.

So, that’s the latest installment

in How I Spent My Summer Vacation. After that whole month of not writing, you might think I’d come back with essays that are less prosaic, more moving, and brimming with pent-up wisdom, but I’m  going to have to disappoint you. This whole cross country move seems to be grounding me in the literal.

There’s just this one thing. When we picked the grandkids up on Saturday morning, Aurora’s hair was purple and Cali was wearing a t-shirt I’ve never seen before. “Everything is grace,” the shirt said.

Indeed.


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Learning to Drive

Photo of rose bush

My oldest granddaughter is learning to drive. She fiddles with the levers under the seat to adjust it just so and backs out of the driveway. Her shoulders are up around her ears, and I have to coax her to relax a little.

Her eyes are glued to the pavement right in front of her. I encourage her to  sweep the road with her eyes, to glance in the rearview mirror. It’s as though she is somehow paralyzed and in motion at the same time.

When I was learning to drive

someone told me to “Aim High in Steering.” It must have been a heading in the Pennsylvania Drivers’ Manual, because it’s been running through my head like a chapter heading ever since Cali first got behind the wheel of my Subaru a few weeks ago.

Today she wants a bigger challenge, so we head down Golf Course and hang a right on Montano. We’re heading for Unser, where the road cuts through the petroglyphs and intersects the far west stretch of Paseo del Norte.

The road opens out as we cruise past the volcanoes and the Double Eagle airport. The city falls away to the east, and if you aim high in steering, all you see is desert road unravelling before you. Cali takes the curves gently and doesn’t panic as impatient drivers zoom by on her left.

I’m usually a nervous passenger,

but for some reason, I channel utter zen cool when someone is learning to drive. My step-daughter still jokes that when I taught her, I would say, in a matter-of-fact tone, things like, “You might want to tap the brakes now before that semi flattens us.”

I can’t explain it, but nothing Cali does really throws me. She’s doing fine, other than the fact that she doesn’t quite get the idea of stopping gradually as you come to an intersection. (“You might want to brake sometime soon,” I say a few times.) I don’t even flinch when  we hang a left and she turns into the oncoming traffic instead of the right lane. “Go to the right,” I say a few times, and she does. We don’t even have to hop the median.

My point is that while she’s cruising the desert, I have time to think about aiming high in steering. If I remember my Drivers’ Ed right, I think the idea is to pay attention to what’s happening up ahead, to lift your gaze beyond what’s right in front of you so you can anticipate problems before they happen.

It might be the advice Cali needs as she stares straight ahead, but for some reason I haven’t passed on this particular nugget yet. (“Ease off the gas when you see brake lights,” and “If there’s a ball rolling into the road, there will be a child”–these are the ones I’ve told her.)

It’s June,

so lizards are skittering up the back wall and the roses need a good dead-heading. Cali pulled uneventfully into the driveway after chalking up another hour and a half in her driving log, and I’m still chewing on”Aim High in Steering.”

Is it the opposite of living in the moment? Usually when I hear kids planning out their whole future, I cringe a little. I know teachers are supposed to be in favor of setting goals, but so much of what teenagers are planning comes from other people’s goals and expectations for them.

Most of them haven’t found that thing that makes them vibrate yet; or, if they have, too often they have to set it aside  to jump through all the other hoops we put in front of them and call school.

Live now, I tell them. You’ll figure it out. Life will ask you questions and you’ll build a life by answering them.

And yet,

come October I won’t live here anymore. I yanked my gaze out of the present, and now I’m learning to drive into a different life. When I first made this decision, a friend told me that “the universe rewards boldness.”

It sounded encouraging, but I didn’t know what she meant until it started happening. Barriers, stress points, uncertainties–all those things are just evaporating. I’m aiming high in steering, and friends keep running out into the road ahead to clear the way.

This afternoon when I was trying to figure out where this post was going, I pulled The Art of Possibility off my shelf. In Chapter 8, “Giving Way to Passion,” the Zanders quote Martha Graham. She says, “There is a vitality, a life force…that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it…it will be lost.”

There’s a lesson there,

I think. Once upon a time, a Buddhist nun asked me to wash some special glasses. They had belonged to her parents, she told me. I washed them carefully, dipping them in the soapy water one at a time. As I placed the last one in the drying rack on the counter, I missed the peg, and it shattered on the tile floor.

I felt terrible, knowing that the glass was important to her. When I told her what had happened, though, she said, “It is the nature of glass to break.”

Back in January before I threw my whole life up into the air, I wrote, “It’s madness not to be who you are.” What I didn’t know then is that when you step deeply into who you are, into your unique nature, you step into energy, into Graham’s “life force.” It turns out, that force has (is?) a momentum all its own.

So that’s what I know as June warms up the lizards on the back wall. Cali is about eight hours into her life as a driver. Next time we go out, I think I’ll tell her to aim high in steering.

Right now, though, the rose bush is shouting for attention, so I’ll stop here. I’ve got to get out the clippers and make way for some new things to bloom.


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Simple

I think the grandchildren are playing a survival game. Things have gotten quieter than they were a few hours ago, when stuffed animals were flying from the loft into the family room, and ten legs were running up the stairs and down the stairs in random, urgent patterns. The cousins (five of them, aged nine through eleven) are together for a few days, and imaginations are flying. I’m cooking a pot roast and pouring a glass of wine.

I never know quite what the kids are playing. One year, all their games involved paper airplanes. They made hundreds of them. They taped long strings to the fuselage and launched their planes from the top of the stairs into the family room, over and over and over again. Like tiny fishermen, they would reel each plane back in, only to launch it again. For months we were finding airplanes all over the house: behind the piano, under the washing machine, slipped between a picture frame and the wall.

Now the movement up and down the stairs has gotten quieter. They tiptoe and hug the walls. The dogs, who failed to dial back their exuberance on the kids’ schedule, have been banished from play land. Circuit, my stepdaughter’s lab, has the good sense to fall asleep across the bottom of the stairs where the kids have to climb over him every time they go by. Rusty, never one to take no for an answer, still wants to play. He wanders from adult to adult, tapping us with his paw, nudging us with his nose, trying to get us to behave more like the children. We let him down. Eventually he gives up, falling asleep with his head on my feet, his body angled into the middle of the room like a minute hand. Many hours from now the last cousin will follow his example; the public imaginings of the day will give way to the private play of the night.

After the Texas cousins have gone home and the locals have headed across town, I find artifacts. Once I pulled a crayoned short story called “Spy Dogs and the Cats Jewel” from the trash. I kept it because the curly-haired seven-year-old author ended her story by throwing a cat into a boiling cauldron. Not to worry, though! It turned into a diamond! Judging by the exclamation points, the author thought this was a happy ending.

This afternoon, cleaning up after the maelstrom has blown through, I find three little scraps of loose-leaf paper. One says “Food” and includes a picture of a pizza. Another scrap says “Water,” illustrated by a half-full glass. I’m thinking about how easy it is to fill your needs when you’re living in single digits. I toy with the idea of making my own paper slips. “More retirement savings” I might write on one, next to a pile of money, or “more hours in the day,” drawing a clock with extra numbers. Mine lack the kids’ simplicity. Water, food. They know how to cut to the chase. “Dark chocolate,” I think. That’s better.

Snow falls in Albuquerque all day and I’m still thinking about those scraps of paper as I head out into the cold evening with Rusty. I like to pretend Rusty is checking on the neighborhood, locking the doors before we all call it a night. I don’t mean to suggest he’d make a good guard dog. If anything were amiss, Rusty would be the guy in sunglasses angling away from it, talking into the side of his paw. “Chief, I’m picking up something suspicious by the hydrant. Could be that coyote again. You might want to send Coconut to check it out.” Then he’d plant his feet, point dramatically with his nose, and refuse to take another step until I agreed to cross the street, putting some distance between us and whatever danger might be lurking.

Tonight there isn’t much to see. The clouds have cleared off to make way for a dim spray of stars. Outside the Griswold’s, giant blow-up Rudolph is having a tough time. His little engine is whirring away, but his front legs, which have looked a little wobbly all winter, have buckled beneath him, and his nose has become a red smudge glow on the snow. I feel like I should prop him up, or ring the doorbell until someone comes to see what’s wrong, or shoot him to put him out of his misery. Up the hill, green and red lights on a huge wall flash an aggressive “Jesus is the reason for the season.”

We’re meandering, here, Rusty and I. I’m thinking about how many times we have walked this circle around our neighborhood. 2015 was one of those years that you get to the end of, take a deep breath, and say, ok, off you go, year. Bring on a new one. It wasn’t that it was terrible, it was just one of those years that wouldn’t let you get complacent. I’m not even talking about the way the problems of the world kept clamoring to be seen and heard and acted upon. I’m taking 2015 personally. I mean Fred’s fall on the ice in February, his broken ankle, my mother’s death, my brother’s heart and liver problems, and the way my own body started trying to get my attention, way back in June, hinting that something new was underway.

I was standing up to my chest in the ocean outside my good friend’s condo in Cocoa Beach. I was laughing as the waves knocked me around. For just a moment I forgot to keep an eye out for sharks or tsunamis or rogue lightning from a storm ginning up ten miles out to sea. I was casually eyeing a big swell moving in on me. Should I swim out to meet it and dive under? Turn my back and let it surf me in toward shore? Where’s it going to break?

In that moment, one of those sentences that demands my attention, as if it were written in contrails on the horizon, came to me. Trouble will come, the Atlantic sky said. Pelicans were diving for fish and kids were playing with sand pails on the beach behind me. Fred was a few yards down the shore, walking in the shallow surf. Trouble will come, the world said to me again, and I found myself oddly flooded with peace. It wasn’t a warning; it was permission to let down my guard. Of course trouble will come. No need to keep an eye out for it. Worry disappeared like a bubble of salt air and everything made sense. For one eternal minute, bobbing in the swells, I was Buddha. I was at home in a perfect, broken, glorious world.

In the next instant, I realized why Sidhartha waited for enlightenment resting under a banyan tree instead of bouncing in the Indian Ocean. A huge wave I didn’t see coming somersaulted me into the sand. I surfaced with scraped knees, sputtering saltwater, hearing Fred laughing behind me on the shore.

And then the summer wore on and trouble came. The more yoga I did, the tighter my body tensed. The more walking I did, the more I found myself out of breath as I crested a tiny hill I’ve been walking and running up for years. The more sleep I got, the more midday naps I needed. As fall came and school started, I pulled a muscle in my back. Then my hands started swelling. Then my feet and legs swelled to where I couldn’t always get my shoes on. Pain became as normal as lack of pain has always been. In June I was kayaking and stand-up paddle boarding in the Banana River. In October, I couldn’t open the blinds in my classroom without asking a friend for help. Fred and I joked that I had closed the decade gap between our ages and then some; all of a sudden I was fifty-one going on eighty-four.

When I go to a new doctor, it always takes forever to fill out the family history paperwork. I need a box that says “all of the above.” Heart disease, check. Liver cancer, check. Diabetes, check. Alzheimers, check. When I was younger, I used to think that if I could just get out of my twenties without contracting a chronic illness, I would be home free. One day this fall while I was still trying to convince my doctor that something wasn’t right, I caught a glimpse of myself in the mirror. It was the way I was holding my arms—the line from my elbow through my wrists to my fingers was a line I’d seen before. These weren’t my arms, they were my brother’s, who has been living with psoriatic arthritis for most of his life. They were my nephew’s arms; he was diagnosed with juvenile arthritis when he was three.

It turns out my autoimmune system is just like the rest of me, good at imagining trouble where there isn’t any. The story of my last six months is the story of losing my pass in the “Gets to Take her Health for Granted” club. It’s the story of watching my body surprise me, not with its ability to run another mile or balance in tree pose, but with my inability to close my fingers together into a fist, or to put on a shoe over a swollen foot. It’s the story of heating pads and fingers that turn white in the cold and joints that swell and drugs that work or don’t as they swim mysteriously through my blood. It’s a story of uncertainty, of learning to say “I can’t,” and of learning, for the millionth or so time, that I am not in control.

So I’m ok with sending 2015 on its way. I’m back in the house, tucked under my Steelers’ snuggy. I’m sitting on the couch with my laptop on my lap and Rusty’s head on my hip, my elbow resting just behind his ears. I’m thinking about Robert Hass’s poem “Faint Music” that begins with the line, “Maybe you need to write a poem about grace.”

Trouble, I’m starting to understand, is the guest you aren’t supposed to prepare for. He’s the guest that just shows up, and you either let him in gracefully or try to pretend you aren’t home. I’m trying to be a decent host to this idea that my body has a plan of its own. I’m trying to be grateful that my immune system did its job well for my first fifty-one years. I am grateful that chronic means something I’m going to live with for a long time, not something that is trying to kill me any time soon.

I couldn’t bring myself to throw the grandkids’ scraps of paper away. I left them on the kitchen counter for a few days, and then I brought them upstairs and set them on my desk. I fanned them out this morning, set them by my coffee cup when I sat down to write.

The third scrap of paper has a picture of a test tube. Inside, a blue ink liquid boils while bubbles float above. The word on this one says “Cure.”

Leave it to the kids to provide perspective. Water, food, and a cure. Bring on 2016. It looks like I have everything I need.

____________________________________________________

 

Riding the Brakes

IMG_1313Remember how Wile E. Coyote keeps running straight ahead for a few feet after he’s left the cliff edge behind? That’s how I fell off a horse named Omega in 1994 and got this long scar that runs from my palm, halfway up my left forearm. I could clear the jump until the second that I realized I couldn’t clear the jump; that’s when Omega put his head down and I tumbled over it into the soft dirt of the arena.

That’s how I come down the big human roller coaster hill on the bike trail: certain I can’t do it. My friend Tammy flies ahead, working out her own downhill demons while I lag behind. The bumpy pavement surprises me. Going up, I moved slowly enough not to notice how rough it is. Coming down, though, it jars my head in my helmet, just the encouragement I need to tighten my hands and squeeze the brakes.

This fear of speed is nothing new. When I turned forty, I went skiing for only the second time in my life. My friend took off for the big-girl slopes while I signed up for a lesson. All around me, little kids in parkas bounced and hopped and swerved down the hill like an avalanche of gumballs.  I picked my way through them (by which I mean I went straight and hoped they wouldn’t knock me over), intent on mastering the snowplow.

Even as a kid, I picked the slow route. There were two ways to sled-ride from the top of Marvle Valley Drive to the bottom. The first was to sally through the yards, each one connected to the next by a small hill, a mostly flat front yard, and a driveway. (Some of those driveways, like ours, were red-dog in those days, so they slowed you down nicely!) The second way was to fly right down the steep road and hope there were no cars coming down Dashwood when you reached the bottom and careened across the street into the Buckley’s front yard. I don’t have to tell you which route I took, do I?

Earlier this summer I thought I could think my way out of some of my fears. Here’s one of the things I tried:

(A Partial List of) Things I’m Afraid Of:

Spiders in the shower
Moving (or playing music) fast
Touching dead things
Buildings/Bridges/tunnels collapsing
Car accidents
Heights
Talking politics with people I’m related to
Flying

Then I made this list.

(A Partial List of) Things I’m Not Afraid Of:

Public speaking
Taking up the violin in my forties
Leaving well-paying jobs that don’t feed my heart
Signing up for a triathlon when I’m out of shape
Getting my shoes dirty
Lizards
Talking politics with people I’m not related to

I thought maybe I could figure out why I’m not afraid of the things on the second list and apply that logic to talk myself out of being afraid of the things on the first.

Then I watched my grand-daughter ride the Cliff-Hanger at Uncle Cliff’s. The ride lifts you 120 feet into the air and then drops you straight down.  At nine, Aurora is terrified to speak to most people, but she’ll shinny straight to the top of the rope at the gym, and she loves thrill rides. Her tiny feet dangle over the edge and she smiles her own cryptic Mona Lisa smile as she ascends into the sky and plummets down.

Where does fear come from, anyway? How come I got heights, Aurora got speaking, and my husband got water?

Just before school started, I spent a day with teenagers at a ropes course deep in the Manzano Mountains. My group of about two-dozen ninth graders was standing at the base of a tall pole capped by a tiny platform. The two girls who had volunteered to go first were suited up in harnesses and helmets. The first girl climbed straight up the pole and maneuvered easily onto the platform, some thirty feet in the air. The second girl also flew to the top; then she struggled a bit to climb onto the platform with her friend.

As an onlooker, I stand below, halfway hoping they will chicken out before I have to watch them leap from the platform, aiming for the tiny trapeze dangling nearly out of reach in front of them.

Of course they don’t chicken out. As they begin their count to three (one-two-three-jump, is the sequence the course director has drilled them on), I can hear the extra air in the voice of the girl who is afraid. I want to beg them not to jump, but that’s not the point of this morning, so instead I hope their belayers know what they are doing, that they got enough sleep last night, that they didn’t fight with their wives this morning. I hope the ropes hold and that the kids have put their harnesses on right, and by the time I’ve gone through this litany of fears, before I even have time to get to the end of The Memorare, my go-to incantation when I’m afraid, these two beautiful children have leapt into the sky and are dangling high above the ground, swaying and laughing in the cool, piney air.

At this point, as the (attentive) belayers gently lower the (safely harnessed) girls to the ground, a line from Kurt Vonnegut starts following me around.

If you’ve never had a quote follow you around, it’s just as you’d imagine it. Really. A little thought bubble pokes its way out of your shoulder and hovers in the air just beyond your left ear, sometimes for weeks, until you finally take those words into your life and figure out why they are haunting you. This one says, Everything was beautiful and nothing hurt.

I realize I’m not going to be able to think my way out of my fears. When I first got married, I remember being a little bit afraid every time my husband left the house; for some reason, he seemed newly fragile. I wanted to follow him into the world each day and see him safely home. At some point, I forgot that fear is something that most people try to overcome; I set a generous place for it at the table. I was grateful to it for keeping my feet on solid ground. I was comfortable with the way it manifested in my stomach, in the shake in my voice, in a coldness in my hands. I even learned to feed it, imagining plane crashes, tunnels caving in, and other disasters on demand. I had decided, as I wrote in a poem, “to try like hell to stay alive.”

For a long time I wasn’t aware that I had donned a life-jacket, but even now it seems a not completely unreasonable reaction to the world.

The quote bubble hanging by my ear is getting annoying, so I finally pull Slaughterhouse Five off the shelf to refresh my memory. I’m not thrilled when I realize my quote is an epitaph Billy Pilgrim imagines for himself. In the book, it’s etched on a picture of a tombstone.

It’s not the quote I’d pick to sum up my life today, although I think it describes the world I spent a long time trying to live in.  It’s not too far off; I could live with, “It was beautiful and it hurt,” or “It was so beautiful that it hurt.” Or maybe if I’m writing my epitaph, I should keep the line I wrote one grade school Halloween: “Here lies Heather, under the weather.”

That still makes me smile.

There’s no rest when the first two girls are safe on the ground. The next pair is already clipped in to their harnesses and starting up the pole.

I’m thinking that maybe you have to let the world toss you around a little. I’m thinking that next time I ride down the bumpy bike trail, I might try to wait a few seconds before I start squeezing the brakes. I’m thinking about that moment just after you run over the edge of the cliff, before you realize you will have to fall. I’m thinking that that’s the space, out there for those few seconds in clear air where everything is beautiful, in which we live our lives.

Recently I got an email from an old friend who has been on her own journey out of loss into love. I’ve known Jacqui since the first day of first grade, and she has been telling me that we should go for a hot air balloon ride when we turn fifty.

I wouldn’t want her to read this essay and think I have decided I want to go for that ride. It’s fair to say, though, that lately I’ve been wondering what’s out there, just over the edge.

Revelation

Am I really the only one who never realized that Twinkle Twinkle Little Star and the ABCs are the same song?

I learned this riveting bit of trivia from Hakim Bellamy, Albuquerque’s first Poet Laureate, at a workshop in January. It was a throwaway line, something like, “You know, the same way Twinkle Twinkle…” He wasn’t expecting to reveal truth with that aside, but for me, it eclipsed everything else he had to say.

It’s not like I haven’t thought about these songs since I was five. Twinkle is contemporary music for me. If that idea seems hard to imagine, you probably never had a child who played a string instrument. My granddaughter decided she wanted to play the violin when she saw Celtic Woman on TV. In retrospect, she was still in her princess phase, so maybe she just wanted to wear the sparkly dress, but we’re enthusiastic grandparents, so off we went to violin lessons.

The Suzuki method leaves nothing to chance. There are games for learning to hold the bow, games for naming the parts of the violin, games for getting to violin lessons on time. (Ok, I made that last one up, but there ought to be.)

The first thing that happens when your granddaughter takes up violin is that Twinkle Twinkle Little Star becomes the music of your life. She’ll play the twinkle theme in quarter notes (the way you are used to hearing it), and then she’ll play it in triplets (think twin-twin-twin-kle-kle-kle), which she will understand as “lavender octopus.” She’ll play Twinkle to the rhythm of “fuzzy yellow caterpillar” and to “I practice each morning.” Just last week she started playing it to “I’m [pause] a monkey.” My point is that she will spend some part of each day for the next two or three years (and counting) playing the song I didn’t know was the ABC song.

The second thing that happens when your granddaughter takes up the violin is that you realize she’s having a lot of fun, and you’re just watching. Hence the third thing: you buy a violin and start playing Twinkle Twinkle every day yourself.

I have to admit that I thought it looked easy. I’ve played the piano on and off for a long time—how hard could it be to learn an instrument when you only have to read one clef?

It turns out, there are at least three reasons it’s harder to learn to play violin than piano.

1. The notes on a piano know who they are. If you put your finger on middle C, the 24th white key from the far left of the keyboard, the tone you hear will be, with a high degree of statistical certainty, middle C.

Not so on the violin. You will put your finger in the same unmarked location where you are certain you put it yesterday to play a D, and you are likely to play a D flat (who plays a D flat on purpose?), or a D#, or if you haven’t been practicing enough, you might actually play a C or an E.

2. Learning to play piano, you might have to practice scales in contrary motion (one hand singing do re mi fa…the other do ti la so…), but both hands are doing roughly the same thing in different directions. You do not have to finger a scale in your left hand while your right hand makes unnatural stroking motions with a stick.

3. You do not have to hoist a piano onto your shoulder and hold it in precisely the right place with your chin to play it.

Finally, if my husband or my dog were writing this list and loved me less than they do, they might add that it never actually causes your family physical pain when you practice piano.

So.  All that is to say that I’m quite familiar with Twinkle Twinkle Little Star; it’s not an abandoned relic of my childhood.

Which brings me to the ABCs. With five older siblings, I’m sure I knew the alphabet well before first grade, but circa 1970, I (and the forty-four other students who would line up in front of and behind me through eighth grade) marched around Sr. Esther’s room, carrying canes with letters on them. Along the way, we jumped in tires and probably even clapped out beats as we sang the alphabet song. I loved those canes.

I remember 1970 as the year we colored everything yellow and circled words that rhymed. At some point, we also learned to say the alphabet backwards, presumably to make looking up words in the dictionary easier. (I can’t say this skill has ever helped me figure out if equanimity comes before or after erotic on the fly, but it does make it easy to impress teenagers on the first day of class. As does writing your name forwards and backwards at the same time with a marker in each hand, which is really no different than playing a scale in contrary motion, but I digress.)

What I’m trying to say is that I’ve had a love affair with the alphabet since I was a little kid. I used to say periwinkle was my favorite color, just because I liked how it sounded. And when I checked the dictionary just now to make sure periwinkle really is just a fancy way to say purple, I learned it is also a sea snail, which is every bit as much fun to say.

So at some point when I was three or four or five, I learned the song that taught me to cast my wonder onto the stars, and I learned the song that gave me twenty-six tools I could use to explore that wonder.

“How I wonder what you are” still pulls me onto the back deck with my sleeping bag each November to watch the Leonids. “How I wonder what you are” still calls me to my keyboard to explore that mystery, the way Rilke does when he explains life in eleven syllables: “it is alternately stone in you and star.”

When Hakim Bellamy said casually, “You know, the way Twinkle Twinkle and the ABCs are the same song,” what I heard was, “in the beginning was the word,” or, in the words of my old teacher, John Dunne, “if it all means the same thing, it means God.”

Back when I was first learning to sing to the stars and to love the world with letters, I had to leave for the bus stop when the trolley came for the Neighborhood of Make-Believe. Today, I have to stop writing and get ready for work when I hear my neighbor’s garage door open.

Before I turn off my desk lamp, a little pool of light illuminates my hands, spidering over my laptop. The backs are flat and my fingers curl gently toward the keys. If I were to put pennies on them while I type, an old piano trick for practicing scales, they wouldn’t fall off. If the moonlight caught me just then and you looked in the door, you wouldn’t be able to tell if I were playing at a Bach Invention or playing at salvation.

Click here to read Rilke’s poem Evening  

  Click here to get to know Hakim Bellamy