Peace on Earth and Barry Manilow

I vaguely remember one New Year’s Eve–call it early high school in Bethel Park, PA. I don’t know whose basement we’re in, but there’s a tv up on the wall in the corner and we’re waiting for the ball to drop. Barry Manilow is singing “It’s just another New Year’s Eve,” and my friends and I are throwing things at the tv. “Good riddance,” we are yelling at 1970-something. The details are sketchy from this distance, but I’m thinking our bad year had to do with boys, maybe even one specific boy. Maybe it was one boy who several of us had been in love with. Maybe some of those loves had overlapped, and maybe that boy who might have been tall and lanky had been careless with our eager hearts. Maybe that Barry Manilow song would become an anthem of sorts, pulling us back together. Maybe when Barry Manilow sang, “We’ve made mistakes, but we’ve made good friends too,” my friends and I looked at each other and knew our friendships would outlast all those high school boys who might have tossed their heads to push long straight hair out of their eyes while they played tone poems on the piano and sang soulfully to each one of us as if we were the only one who mattered. Like I said, it’s all blurry from this distance.

This New Year’s Eve, I haven’t been able to get a purchase on my feelings. My life with a small l is as peaceful and rich as it’s ever been. After trying without success to sell our house for the past few years, we finally decided just to stay. I love my house. The ceiling in the family room soars to three high windows, way up on the wall. Sometimes when I am sitting on the couch, I see a plane fly by. Sometimes when I am standing at the kitchen sink, I see a friendly moon rising over the deck. Sometimes when I sit in the loft at night, all of Albuquerque twinkles below me, and I remember how the snow crunched in Pittsburgh, how the whole city glittered beneath Mt. Washington at night. During the day, the Sandias put on a cloud-show, playing games with the light from the moment the first red glow appears before dawn.

Since we’re staying, we’re doing the things you do when you love something. We’re fixing up, polishing, tending to, shining. Everything old is feeling new. It’s not the same anticipation I had been feeling about building a new house; but it feels good. It feels solid. It feels like home.

Last Christmas, not long before he died, my brother bought a tree and a nativity set. He was newly excited about living, even as his health was getting worse. I put up his nativity set this year, and I think about him when I walk into the living room. Maybe that’s how I feel about 2016. It was sad and hard and beautiful and joyful, and we’re still here. Last night just before midnight I asked Fred what he thought was the best thing about 2016. He thought for a while, and then he said, “I’m still alive.”

I thought about what he said in church this morning. I started singing in church choirs in middle school. With the exception of a few years when I was too angry to be a Catholic and too Catholic to be anything else, I’ve sung in church choirs my whole life. I need it: the camaraderie, the ritual, the faith act of opening your mouth and turning air and flesh and bone into music. All of it feeds me in a way I’ve finally learned not to try to understand with my head.

This morning we were singing “It Came upon the Midnight Clear.” The story goes like this: Once upon a time, a bunch of angels dipped close to earth, playing golden harps and singing about peace. The earth just lay there listening (“in solemn stillness” to be precise), but didn’t really get it. I’m picturing a polite clap from a few cold, bored shepherds leaning on crooked staffs on a rocky hillside before they turned back toward the fire. Fast forward through the centuries into verse two and the angels keep coming. They float around singing elevator music about peace on earth while the “weary world,” now filled with “sad and lowly plains,” keeps ignoring them.

By verse three, we’re getting more explicit, and strangely, this morning I find the words deeply comforting. The angels have been singing for “two thousand years of wrong” while “warring humankind hears not.” The lyricist even gets a little testy: “hush your noise” and listen to the damn angels, he says. I’m not sure I should be feeling better about 2016 and life with a capital L in 2017 because the world has been messed up for millennia, but somehow I am.

Neither Barry Manilow nor the carol writer can resist sappy optimism in the final verse. Barry tells us bloodlessly that we’re going to be “just fine,” but not even I can look around the world heading into 2017 and believe it’s going to be that simple. (Besides, it’s obvious Barry just needed to rhyme with Auld Lang Syne. He could just as easily have said, “the cancer is benign,” or “now go out and dine.”)

I’ll get to the angels’ happy/sappy ending in a minute, but first I need to tell you about something that happens every now and then when I’m singing. Once in a while, my body disappears. That’s not exactly what I mean, but I don’t know how else to describe it. It’s as though I’m not the one making the music; rather, I’m as much an instrument as Justin’s recorder or Rachel’s viola or Ken’s violin. In those moments, instead of singing, I’m being sung.

That happened to me this morning during the angel song. In the fourth verse, the angels stop flying around and the writer imagines a better time, a time he believes is coming, maybe even immanently. In this new era, the angels give up on floating around strumming cheery Muzak on their shiny harps. In this new era, an impatient peace takes over and”flings” it’s “ancient splendors” over the earth.

Imagine that! I spend a lot of time talking to students about using strong verbs, and I’ve never noticed that one before. I want to be alive when peace starts flinging itself over this weary world.

I’m left with contradictions as this new year begins. We’re all still alive. My life in this house I’ve lived in since 1998 feels whole and rich and grounded.  And yet, I know it’s probably not just another New Year’s eve. The world beyond my house feels jarring and chaotic, violent and confused.  It seems unlikely that peace will pick 2017 to start flinging itself at this weary world.

I was talking to a friend after church on New Year’s day. “I’m ok today,” he said, and I think there’s wisdom in his words. All sorts of things we can’t foresee will surely be demanded of us tomorrow. I’m going to try to meet them with love. I’m going to try to notice when peace comes flinging my way. It’s been a long time since anyone accused me of being an angel, but for what it’s worth, I’m going to keep on singing.



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As I write this, my granddaughter Aurora, the one who wanted violin lessons and so gave me the gift of learning to play a new instrument, is writing an essay arguing against glowing cats. This too, it turns out, is a thing in this weird world.

Her third reason (“thirdly,” she says) why glowing cats are wrong, after “we should use less important animals than cats, like rats or mice” and something about how we should get over worrying about tripping on our cats in the dark, has to do with the fact that the cats have to eat jellyfish to make them glow. I didn’t get to read enough of her essay to figure out whether she is concerned about the jellyfish, or, more likely for this cat-loving vegetarian, she thinks we are making the cats do something gross.

Many years ago I found myself saying something positive about the church I go to when I said to a friend, “Oh, you don’t have to believe in God to go there.” I’ve wondered what I meant by that for years.

“Twist me and turn me and show me the elf. I looked in the mirror and saw—[wait for it while you twirl]—myself.” I remember these ritual words from  the ceremony in which I moved from being a Brownie to being a Girl Scout, which tells me I was probably in second grade at St. Louise de Marillac. This is the year I learned to write in cursive and spent my days with Sr. Ernestine in the classroom across from the lockers. I think it was also the year when we watched, in preparation for making our First Holy Communion, a movie where we saw evil souls being damned to a fiery hell.

The rhyme appeared in my head sometime Tuesday evening before the election results were in, when it was still possible to imagine seeing something other than ourselves in the mirror.

T3 (if we’re counting these post-mirror days) it’s Veterans Day, and I show up for a professional development day at my school fresh off an evening in the emergency room.

I won’t describe the whole, healing day, but here’s how lunch went: a physics teacher I play mandolin with some Sunday afternoons sang Irish songs. Then our service learning director showed us how to bang our arms on our tables “to make our silverware dance” while she sang (in Latvian) a Latvian table song. Then a Latin teacher got up with his guitar and said “I think we should sing Hallelujah,” so we did. Then a chemistry teacher and an English teacher rocked out to bring the mood back up, before we closed with our Director of Diversity singing (in Hebrew) from the Song of Solomon.

A little bit later we lay on quilts in the grass reading “Critical Practices for Anti-Bias Education” from the Southern Poverty Law Center.

I can say with great certainty all the things I don’t believe about believing in God. Not Santa Claus. Not involved in the Cubs breaking the streak. Not interested in my traffic problems. No big front porch with rocking chairs in the sky. I don’t go to church because I believe in God, I finally realized. I go to church because I believe in people.

I remembered that moment this morning when my priest, who looked a little ragged on T5 after spending his week immersed in organizations that work with immigrants, said that this isn’t a time for talking about what we believe. Instead of reciting the creed we spoke the beatitudes. “Blessed are those who hunger and thirst for righteousness,” we said out loud together. “For they shall be satisfied.”

I’ve cleared up some of the glowing-cat confusion. Something from the jellyfish is inserted into the eggs of the cat. (She’s a seventh grader, so that’s the gross part.) And it turns out she really would be just fine if they’d only use mice or rats or some other animal we don’t like as much.

That’s a connection I wasn’t planning to make here.

Some of the last words spoken in our faculty meeting came from the man who had chanted the psalm at lunch. He quoted Rabbi Shalom Shabazi, a Yemeni poet who said, “Even though there be no mercy in the world, the gates of heaven will never be barred.”

I don’t pretend to know what Rabbi Shabazi meant. He was speaking to people who had been driven into the desert from their homes, who were watching their families suffer and die around them. I want to think that there were warm, sad evenings in the desert, evenings when tired, hurting people gathered around a campfire and someone started to sing. I want to think Rabbi Shabazi meant, “Even though there be no mercy in the world, there will be mercy in the world.”

The first thing we did on our professional development day was write one sentence in big letters on black paper about why we teach. Then we were photographed with our signs.

The last thing we did on professional development day was watch a video showing everyone who works at our school holding up their sign set to another Leonard Cohen song. “I teach,” mine said, “because I believe love wins.”

It’s not a creed, I realized as we spoke the beatitudes this morning. It’s a call to action.


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Right Now

Right now–Cubs up 5-1 with two outs in the  bottom of the fifth in game seven–while the Cubs still might win the World Series for the first time since 1908, and right now, while the U.S. might still elect our first woman president since, well, ever, right now, I want to write about road rage.

A few weeks ago as Fred and I pulled into BJ’s on a Tuesday night for half-price wine, we watched a Yukon-sized car careen through the mall parking lot, pull in front of us as we turned into the restaurant, then come to a dead stop in front of the entrance to unload a clown car’s worth of passengers. I’d be lying if I said we waited calmly and patiently while people climbed out of the car, but we did wait. That was our only option, as the car was stopped in the middle of the road, blocking our only path to a parking space. (For the record, I’ll add that it was a hale and hearty bunch who climbed out; no little old ladies or little kids with broken legs in sight.)

Things took a turn for the worse when the backup lights came on and it seemed likely that the car was about to ram into us. That’s when Fred hit the horn. It wasn’t one of those cute little tap-tap honks that says, “Excuse me, I just wanted to make sure you knew I was here.” It was a long honk, the kind that calls the other driver names, the kind that continued beyond the point when the other driver saw us and decided not to back up.

The big, empty car realized we were there, pulled forward, and we all parked. As we headed into the restaurant, while I tried to avoid eye contact, the driver came toward us angrily and said, “I was going to stop!” There was some arm waving and head shaking, and somehow Fred managed not to respond in kind, and we all ended up in the restaurant. Fred and I hustled off to a table in the bar while our new friends waited to be seated.

(Right now, the team that needs to find a new name just scored two runs on a wild pitch, so I need to write more quickly. The Cubs are up 5-3, still two outs.)

I ordered an expensive glass of La Crema Pinot Noir since it was Tuesday and I was having the cherry chipotle salmon, and Fred and I were talking and having a nice evening. At some point after our drinks were served and before dinner came, the man from the parking lot appeared at our table.

“I was out of line,” he said. “I would have reacted exactly like you did.” (I’m going to bet you didn’t see that coming, either.) Of course, that led to a pleasant exchange, we admitted our honking had been a little excessive, and the evening became brighter and warmer than it had been.

A little while later I was eating my salmon when our waiter came by with another glass of Pinot Noir. “This is from the folks at table 22,” he said. I went to the hostess stand to make sure I had the the right table, and then went over to talk to them.

The thing is, I had had a pretty hard day. Sometimes I struggle to leave my students’ problems at school. Sometimes the helplessness I feel about not being able to make someone’s life different than it is threatens to engulf me. I worry about the unknown, the news that might come in the next phone call.

That’s what I said to my new road rage friends at table 22.  “That was so unnecessary,” I told them, “and so incredibly kind.” I told them it had been a hard day. I thanked them for reminding me that bad things can lead to good.

It was only later that I realized they had also reminded me that grace is real, that I’m not completely crazy for believing that good has an edge.

Right now (6-3 in the top of the seventh, less than a week out from the election), when everything is possible and everything could still go either way, that’s what I wanted to say.

Tomorrow morning I’m going to wake up and either be the same Cubs fan I’ve been since those wonderful summers right after college when I lived a quick train ride from Wrigley and rooted for the perpetual underdogs, or I’ll be some new kind of Cubs fan who cheers for a team that can actually win.

November 9th we’ll all wake up in a different world than the one we live in today. My road rage buddy made me a little more hopeful that, whatever world it is, we’ll figure out how to live in it.


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Why I’m Going to Get in Trouble This Year

I wish Ruth Bader Ginsburg hadn’t been so quick to apologize for saying “I can’t imagine what this place would be — I can’t imagine what the country would be — with Donald Trump as our president.”

I wish she had said something like, “I don’t regret speaking out. Everyone who loves our country should be speaking out.” George F. Will wrote, “Donald Trump’s damage to the Republican Party, although already extensive, has barely begun.” The Washington Post called Trump “a unique threat to the Republican Party and to the country.”

The Post listed Trump’s offenses as follows. “Mr. Trump degrades people, serially insulting women, Latinos, Muslims, immigrants, Jews and others. He erodes the discourse, frequently and flagrantly lying…He proposes undermining foundational civic institutions such as the free press. He shows contempt for the separation of powers…Where his policy agenda is not thin, it is scary…”

Nevertheless, the Republican Party has finalized its selection of Trump as their presidential nominee. With few exceptions (cheers to Mitt Romney, who said, “I want my grandkids to see that I simply couldn’t ignore what Mr. Trump was saying and doing…”), they’ve relinquished their responsibility to choose a candidate worthy of the office. I admit it—I don’t understand the strange moral calculus by which Republicans claim they can disown Trump’s words, actions, and beliefs while championing his candidacy.

As Trump continues to dive to new lows, I find myself asking, at what point does it become imperative that every person who loves her country or even her fellow humans begin speaking out? At what point should every Supreme Court Justice feel morally compelled to speak as Ginsburg did?

This isn’t an idle question for me. I teach English and Economics at a private, independent school in New Mexico. For years, I’ve agreed with the philosophy that it’s our job to teach our students how to think, not what to think. I’ve worked hard to remain aware of the power I have to shape students’ opinions and to wield it ethically. I try to teach students to understand how persuasive argument works, to analyze evidence, to consider the other side.

I’ve always loved teaching in presidential election years; the curriculum creates itself as candidates lay out their platforms and the media offers simplified explanations of complex issues. It’s exciting in those years to push students to challenge assumptions, to look for the details behind the soundbites, to figure out how their own values shape their understanding of the issues.

But I don’t know how to do that this year. No—that’s not really what I mean. I know exactly how to do it; I just don’t think that I should. As a teacher, I know that what I don’t say teaches as loudly as what I say.

All summer, I’ve been imagining my back-to-school-night speech to parents. I want to explain to them that I can’t be impartial this year; I can’t act as though Trump is just any other candidate. I can’t afford his views on issues the respect that his position would seem to demand. I want to tell them what the Washington Post said at the end of a powerful editorial imploring people to remember the many outrageous statements Trump has made: “Winning is not an antidote to bigotry, violence, ignorance, insults and lies.” I want to say, as New York Times columnist Charles Blow said, “If you support Trump, you are on some level supporting his bigotry and racism.”

When I say those things out loud in my classroom, I will almost certainly get a call from an angry parent demanding that I stop teaching her child what to think. When that moment comes, I am not going to be able to say that my comments were “ill-advised” or that “I regret making them.” Like Mitt Romney, I want to be able to sleep at night. I’m going to have to say that I won’t be complicit. I’m going to have to say that I refuse to help normalize abhorrent behavior.

It would have been nice to quote Ruth Bader Ginsburg.


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An Open Letter to Fear

Dear Fear,

 Cute how that rhymes, isn’t it?

 I know we’ve been together for a long time (see Marvle Valley Drive, circa 1977, babysitting, running home at night while Mr. Pierson looked on to make sure I wasn’t kidnapped and buried alive on our quiet suburban street), but there are some things I just have to say to you. This morning I was the pianist in my “Loose at Nine” ensemble at St. Michaels. I was the pianist because we are “loose” at the nine o’clock service, so this cool group of really good musicians is willing to let me learn how to play with them, as if I were a real musician.

That’s you right there, isn’t it? That little voice telling me I’m not really one of them, that I’m not capable of doing this thing I work hard at and love to do?

My sister tells me that I had a stomach ache every morning before kindergarten, and that she always had to walk me places. (“Walk Heather to the birthday party;” “Walk Heather to the bus stop,” she remembers.) That was you, too, wasn’t it?

We’ve known each other a long time, Fear, so I feel like I can be honest. There was that time when my sister died. My parents were sobbing in the parking lot of the funeral home, and my mother’s hair was orange, and I realized I could never let myself love someone as much as they loved my sister. You were good, Fear. That decision not to have kids stuck. I learned to keep some distance in my relationships, curling you up like bubble wrap around my heart.

That is, until I became a teacher. Then I started loving kids with abandon. I thought I had kept myself safe—they weren’t my kids; I was just loving them from afar. Disinterestedly, you might say. I thought you’d done me a favor.

You know what happened next. One of them died, and it was terrifying. Everything in me screamed “Retreat!” It took many good friends, a few priests, and an awesome therapist to tempt me to stand up to you again. You were pissed off about that, weren’t you?

And of course you came back; you’re a seducer. You make people think they are being responsible when they listen to you. It’s good to be afraid, you whisper. You hide behind virtues like “caution” and “responsibility.” Fear is the grown up thing, you tease us. You keep us from driving recklessly down a snowy highway, from opening our doors to strangers.

I’ve been watching you, though, and I think I’m finally on to you. Let me tell you what it’s like to play the piano. When I sit on the bench behind the other musicians and in front of the whole congregation, sometimes my heart starts pounding. Sometimes my hands get sweaty, and sometimes they even shake. Then my mind leaps in, taunting me. It says things like, “Really, you think you can do this? Shouldn’t you let someone who actually knows what they’re doing play?” Those are the nice things. I don’t know why I haven’t broken up with you before now.

Here’s what I’ve noticed. When you show up, my body gets small. My arms don’t want to stretch across the keyboard. I don’t want to move my whole hand from a C chord to a G minor seventh. I try to press the keys quietly, to speak without actually speaking, to sing without making the air move. It’s a disaster every time. I crash and bang and clang and make sounds that are simultaneously timid and clashing and ugly.  

It doesn’t work. The only way to make music, I’m learning, is to be bold. To wave my arms wildly. To press down on the keys with everything I’ve got pent up in my heart. To be open to every odd sound that might come out of me and to recognize all of it as praise.

Because here’s the thing, Fear. You know we’re not really talking about playing the piano. Let me cut to the quick.  You are killing people. Everyone is closing their arms and closing their hearts and wrapping themselves in bubble wrap—no, in body armor—because you keep telling us we’re in danger. You keep telling us that the cautious thing, the moral thing, the just thing, is to buy more guns, to thicken our armor, to shoot first. And the thing is, people keep dying.

One of my old students posted on Facebook that he’s terrified. He’s a young black man and he’s right to fear that the world tilts toward hurting him and the people he loves. Everyone’s hurting everyone, and, Fear, let’s get serious, it’s your fault.

You’ve got so many people working for you, and they’ve got the microphone. Immigrants are scary! Black people are scary! Muslims are scary! Hillary Clinton is scary! This is what they keep yelling, and they are so loud that people are listening. Another of my old students, who used to mimic shooting geese while I read Wordsworth outside under a post-9/11 sky, recently wrote a serious, evenhanded explanation of why he needs to carry a gun. He will be there, he wrote, to protect me and the other shoppers at Walmart or Costco when someone else pulls out their AK47. We should be afraid, was his subtext, of all those other people buying bologna and tampons and popsicles and of those politicians (you know which one I really mean) who want to take our guns away. Reading his words made me feel sadder, not safer.

And what about this, Fear? Not long ago I realized that every single time I’ve gotten in a car as an adult I’ve locked the doors. Sometimes I’ve done it hurriedly, even frantically. I know that there are carjackings in the world and I don’t mean to make light of them, but I realized that I’ve never ever ever had a person rush to my car and try to get in. It’s never mattered (“yet” I can hear you whispering) whether or not my doors were locked, but I lock them every time.

You’re an abuser, Fear, and I’m done with you. Until you stop pointing fingers, nothing is going to get better. People who have no business dying are going to keep dying.

I know we’ve been down this road together before, and I can hear you laughing at me again. But I am stronger than I used to be, and I know some things I didn’t used to know. I know that when my old student said he was terrified, he said it out loud. He said it to anyone who was listening. He opened his arms wide over the whole keyboard and spit it in your face. The people who responded to him didn’t say, “You are brave,” or “You are courageous” or “You are strong.” That would be playing your game.

What they said was “I love you.” What they did was open their arms instead of closing them. What they did was take off their body armor and stand vulnerable with this young man before the powers of hate.

In her poem “For Black Women Who Are Afraid,” Toi Derrecotte tells the woman “who has to be so careful” to “write the poem about being afraid to write.” 

What I’m really trying to say is fuck you, Fear. You’ve overplayed your hand. Any day now, we’re all going to bare our vulnerable hearts. We’re going to open our arms wide and make bold music. Listen closely to the back beat. I want you to hear us laughing.


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Bumper Cars

When you teach eleventh grade English, you end up reading Thoreau. “Simplify, simplify, simplify!” he tells us. He tugs at me every time I read him, just as Rilke does when he says, “You must change your life.” If I remember my Rilke right, there is a line break between change and your, so in that tiny breath between lines, while your eyes scan down the page, you rest. You don’t see Rilke’s imperative coming at you until it’s too late to hit the brakes.  The oracle has spoken.

It’s July, 2016, and everything is hard. I’m here and not here. I’m thinking about Thoreau and Rilke and one great day at an amusement park in the summer of 2014.

Cliff’s Amusement Park in Albuquerque, which used to be called Uncle Cliff’s before it grew up, defines a responsible person (an RP if you will) as anyone who is “over 54 inches.”

That simplifies things nicely, don’t you think? If the top of your head stretches four and one half feet above the planet, you have reached the age of reason. (It turns out that this is precisely the same methodology the New Mexico DMV uses to issue drivers licenses, but I’m getting ahead of myself.)

54 inches is an important number at Cliff’s. If you are 54 inches tall, not only are you responsible, but you can also ride The Cliff-Hanger, the Rattler, the Sidewinder, and every other ride in the park, all by your sensible self.

48 inches is another important milestone in the amusement park business. If you are 48 inches tall, you are what I might call an FP, or a Forgetful Person. At four feet even, you might remember to hold your little brother’s hand in line, but forget to wait for him as you get off the Galaxy, leaving him behind like just another lost lunchbox or library book or jacket or jump rope or another jacket on the playground. If you were just six inches taller, you would never make that mistake.

42 inches matters at Cliff’s, too. If the distance between the bottom of your feet and the top of your hair is three feet and a half, and you were just responsible enough to bring an RP with you to the park, together you can ride a few of the rides otherwise reserved for the more elevated, like the Mega Water Monkeys and the Rocky Mountain Rapids. If you did not bring one of those RPs, or if the RP you brought would rather ride with an FP, you are out of luck. (Sorry, Dude.) Hence your designation as a YP, or Yearning Person. For simplicity’s sake, we’ll lump everyone else into a final category. We’ll call them SPs, for Short People, or Sad People, as the case may be.

As the summer of 2014 rollercoastered to an end, my husband and I, 132 inches (or a total of 2.444 RPs), took 1 RP, 1 FP, and 1 YP to Cliff’s.  When we’re not at Cliff’s, height measurements become less critical, and we tend to call these children Cali, Aurora, and Luke (from tallest to shortest).

Years ago, when Luke was still an SP, we took the kids and their parents to Six Flags in Dallas. The main thing I remember about that day is driving with Luke in one of those real-ish cars on real-ish roads with real-ish signs and traffic signals. I remember this moment because the tiny, meek, reserved little boy who couldn’t reach the pedals grabbed the steering wheel from my hands and started yelling “Wahoo!” as soon as I stepped on the gas. I’m pretty sure this is exactly what Walt Whitman meant when he said, “I sound my barbaric yawp over the roofs of the world.” Luke yawped and wahooed until we got out of the car.

I remembered Luke’s wild wahoo that August when the two of us finally ditched the RP and the FP and headed toward Kiddieland. Luke spotted the bumper cars and accelerated toward them like an Albuquerque driver at a yellow.

It was a quiet morning in the park, so Luke was able to ride, exit, run to the end of the line, and get right back on. All of the SPs and YPs were doing it, going round and round on the bumper cars like one of those bands of rubber ducks rotating around a wheel in a shooting gallery.

This morning, there isn’t a whole lot of driving going on in the bumper car arena, unless you count the parents. They are going wild on the side of the road. “Gun it, Priscilla!” one woman (I am certain she is a Girl Scout troop leader) yells at her daughter, who looks at her mother and waves as she drives into the wall. “Drive, ‘jito, drive!” another man hollers to his son in the bright red car.  Soon so many shouts of drive, turn, use the gas, watch where you are going, look out are filling the air like a traffic jam that I’m beginning to feel that I’m trapped in the square of a comic strip bursting with word bubbles. I decide to move away from the scout leader.

To be fair to the parents, these children are terrible drivers. Little YP1 in the Grateful Dead t-shirt can’t tell the brake from the gas. Redhead YP2 lurches into the wall the moment the ride begins and never gets free.  SP1 in the Dodgers cap crashes into SPs 3, 4, and 5. SP5 starts crying, at which point his mother (not the Girl Scout leader) starts trying to convince the RP in charge to stop the ride. She’s a bored fourteen-year-old (1.4 RPs, I’d estimate) listening to invisible earbuds and pretending she can’t hear the parent. YP3 in the princess t-shirt is stuck alone in the corner, waiting to be rammed back into action by another uncoordinated child who might accidentally bump her free. I am watching Luke with no intent whatsoever of coaching him on an amusement park ride. (Really, I’m the outlier here?) He is sitting in his car, all forty or fifty pounds of him, leaning gently against the driver’s side door. His left arm rests on the open window while he steers with one hand. James Dean cool.

I can’t tell what he’s doing at first. He’s not driving into the piles of cars hung up all over the arena, and he’s not taking aim and deliberately ramming into people, which, to be fair to these future bad drivers of Albuquerque, is actually the point of bumper cars.

No, Luke is following one of those old driver’s ed mantras that still pops into my head from time to time: “Aim high in steering.” He’s looking down the road, picking his path, maneuvering between cars. He is making decisions on the fly—can I get between that clump of cars ahead left before that nearsighted boy in the green car breaks free and hits me? Can I pass this girl who keeps forgetting to press on the pedal before she closes the gap on my right? Can I do it without taking my foot off the gas? Can I do it with one hand? This little boy is teaching himself how to drive. His whole body yawps wahoo!

Luke gets off and gets back on, still beaming, and I’m watching him and thinking about Albuquerque drivers. When I moved here from Chicago in 1988, my car insurance skyrocketed.  People here don’t slow down at stop signs and accelerate through red lights. The only time you can count on Albuquerque drivers to stop is right after they have entered a roundabout. A few years ago a man who was eating a bowl of cereal rear-ended me after I’d been stopped for almost a full cycle at a red light. I can still see the bowl on the dashboard and the cheerios splattered inside his windshield. I’m reminded of Jordan Baker in The Great Gatsby. When Nick Carraway tells her she’s a bad driver, she says that’s ok, other people are careful. She wouldn’t last a day in Albuquerque.

Luke waves as he makes another loop off the ride and back onto the ride. I wave back, and pretend I don’t see the Girl Scout leader, who thinks I was waving at her.

I know some of you probably think your city has the worst drivers, but trust me, you are wrong. Put on a helmet and come visit. KRQE, one of our local news channels, reported that “According to, New Mexico is ranked dead last in the nation when it comes to driving safety.” I have no idea who is, but I know they are right.  “All State,” my husband says when I tell him what I’m writing about. “It was All State who called us the worst drivers in the country.” There. How’s that for evidence? All State knows crashes.

Around and around Luke goes, never so much as brushing another car. I’m slipping into his rhythm, giving myself to the railing I’m leaning on, to the sun in my eyes, to the feel of my damp shorts still drying from the water slide. I’m trying to figure out, RP and then some that I am, why this moment matters.

I remember one night at Kennywood. I was riding on the Umbrellas. I was swooping up into the air alone, looking out over the Caterpillar and the paddleboats, listening to the wooden roar of the Racers. It was dark and something happened. I realized that I wasn’t just experiencing the moment; I was writing it. I was talking it through in my head, recording it in words as the stars swung around each time. I was living it and watching myself live it.

Luke doesn’t look like he’s watching anything as he slides between two cars. Joy shoots off him like a sparkler. He’s closing the circuit, powering his own car.  He’s a waxing moon scooting around on a magnetic floor, sculpting his own orbit.

Sometimes I write and write and have no idea why these particular words are in such a hurry, elbowing their way up into my throat, only to mill around while I try to figure out why I want to say them.  Then something happens in my life, and I realize I’ve been writing about it for weeks.

That didn’t happen with this essay. I left it buried in my “essays” file and moved on to some other idea. I tried tacking on a quote from a Ruth Stone poem I like (“In the next galaxy” she writes, “things will be different”), and brought Thoreau (“eternity remains”) back in, but all the strands kept hanging there separately, try as I might to weave them together.

Then today I remembered that one time I wrote a poem that won a prize. “The word is Americana” I said in the poem. I was thinking about sticky cotton candy on a boardwalk, holding hands in the mall, my brother working on an old Pontiac in the driveway, a man running his fingers across a name at the Vietnam Memorial in DC.

I wasn’t thinking about all those people who died in that war. I wasn’t thinking about the people who weren’t allowed to walk on that boardwalk. I was thinking about those moments of presumed innocence; those moments when a baby cries or a person falls in love and that awful human hope propels us into believing that we’re all living out some beautiful, tragic mystery together.

Back in 2014 the bumper cars go silent again, and Luke waves at me tentatively. The sun is still in my eyes and I’m wondering what the hell I could have meant by Americana. All Luke wants to know is “Can I go again?” I nod.  I could watch him drive all day.


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Saturday morning around 11:00 Fred looked at me calmly and said, “We need to go to the emergency room.” Then he said, “You should probably walk the dog before we go.” Come again? “We’ll be there a long time,” he reasoned, “he’ll need to go.” It seemed quicker to take the dog out than to have a conversation about why walking the dog and going to the emergency room shouldn’t happen in the same sentence, so I gave Fred an aspirin, dashed Rusty up the street to the corner and back, and then headed off to Rust Medical Center, way out on the west side, to start our Memorial Day weekend. Fred was short of breath and having pain in his left lung that was spreading into his back, neck, and shoulder. Apparently it had started the night before and he hadn’t wanted to say anything. “I thought I could get to Tuesday,” he explained. He was trying to “get to Tuesday” so I wouldn’t miss the trip I had planned; I was heading to Chicago to visit my best old friend and go to my 30th college reunion at Notre Dame.

Two women hooked Fred up while, just behind a curtain, another woman was nursing a crying baby. There was nothing HIPAA-friendly about this set-up. I could hear everything the woman and her doctors talked about, as she could listen to everything the women who were sticking little polka dot monitors all over Fred’s chest and on his arms and legs were telling him.

In short order, Fred was plugged in, pricked for blood, and x-rayed. The nurse wound us through hallways cutely named things like “X-ray Avenue” and “Radiation Road” and finally ended up in a decent size room with all sorts of random equipment lying around. It felt a little more like being in a garage full of your dad’s old tools than in a hospital room.

We settled in, and Paul, our nurse (nice touch, Universe!) was in and out with questions, information, and an empathetic ear. Things went on like this for a good while, and then, out of nowhere, Fred got dramatically worse.

Fred and I have been married for nearly twenty-four years, and I’ve seen him in pain a few times. Fred in pain looks a lot like most people when they are not in pain. When the lawnmower jammed some twenty years ago and Fred reached under to remove whatever was blocking it, he walked calmly to the back door hiding his bloody hand, and said, just like he did today, “We need to go to the emergency room.” The emergency room doctor that time sent us directly to a plastic surgeon, who let me stay to watch him do the skin graft. We left his office with painkillers that Fred wouldn’t take because we had tickets to see Paul McCartney in Las Cruces that night. It was a great concert. The only nod Fred made to his pain was sleeping in the back seat on the long drive home. He never did take the Percocet.

A little more than a year ago Fred slipped on some ice and broke his ankle. Of course, we would never have known he had broken his ankle unless I had insisted, after a few days of watching him walk around almost normally while his ankle kept swelling, that he get an x-ray. He never even filled the prescription that time. He just doesn’t really acknowledge pain. (For the record, I am not that way. I am perfectly happy to be medicated and sleep through the worst of it.)

So, in the middle of the day when Fred’s pain spiked to the point that he was crying out and writhing, I was terrified. His blood pressure was spiking and his blood oxygen, flashing on the monitor above his head, kept dipping below 90% and causing the machine to ping. I felt like people in hospital garb should be running into the room and doing something, anything, to relieve the pain and fix whatever was broken. Unexpended adrenaline was humming in me, gathering my attention to one focal point, Fred’s ragged breathing. Painfully in and painfully out, for what seemed like forever.

Meanwhile Paul the nurse was checking in with the doctor and had gotten an order for morphine. He pumped the syringe into Fred’s IV port. After fifteen minutes (enough time, apparently, for intravenous morphine to take affect), Fred’s pain hadn’t subsided at all. Paul gave him another shot, and then wheeled him off for a CT angiogram. I paced around the room waiting for them to come back. Eventually they rolled in, Fred’s pain still untouched by the morphine. Paul went off to ask the doctor to order another round, and this time Fred’s breathing eased a little, but a half hour later, the pain roared back. The fourth shot seemed to be the charm. Fred finally drifted off, and I waited for the test results while I watched him breathe.

Somewhere lost in a box in a closet I have a picture of my father. He is leaning on a jackhammer, wearing goggles, kneepads, and a sweatshirt, and he is smiling. He had rented the jackhammer when hairline cracks appeared in the garage floor in the house on Marvle Valley. Being my father, he didn’t reach for the yellow pages. He went to the library, did some research, and decided to fix the floor himself.

Apparently, the first step is to make the cracks bigger. My father rented the jackhammer and went to town. He turned all those hairline cracks into little gullies, which grew into empty riverbeds. By the time he stopped, the garage looked like the desert mesa behind my house in Albuquerque, cracked with deep arroyos after a long summer without rain.

It turned out my father got a kick out of jackhammering. “Everyone should try this,” he kept saying. I pictured him riding his jackhammer like a revved up pogo stick while my mother laughed and, at his urging, took a turn.

Fred is resting easier while we wait for the test results. Last night, I was writing a different essay. It was about the end of the school year. We graduated the seniors Friday morning, and I was thinking about how cool it is that as a teacher, I get two New Years reckonings every year. The year ends on December 31 just like it does for my non-teacher friends, but then it ends again in late May. And the thing I really like about the late May ending is that New Years Eve falls on May 27 when the seniors graduate, but New Year’s Day won’t happen until August 17 when the kids come back to school. Instead of a few hours of champagne-tinted reflection about the troubles and glories of the past year, I have months to examine my life, my craft, the state of my relationship with the world.

I wrote that whole essay Friday night, but I decided to let it sit. I was worried that it was too sappy, too self-indulgent. I had started writing it after watching a video of two little girls and a horse dancing in a field. An old friend had posted it on Facebook, and in one of those sappy, sentimental moments that I’m sometimes prone to, I felt like that video held everything I needed to know about the world. (If you’ve ever cried during a Subaru commercial, you know exactly what sort of mood I was in.)

In that essay I told a story about one Friday afternoon when the middle school kids were celebrating Spirit Day. My friend Jinni told me she was going to be singing karaoke with the kids that afternoon in our black box theater. She was going to be singing with a girl I’ll call Hope, although her real name suits her better, and she wanted to know if I wanted to come sing with them.

I met Hope on the day my brother died. I had gone into school that morning feeling sad, of course, and more than a little lost. I found Jinni to tell her what had happened, and Hope was nearby and saw us both begin to cry. She put her hand on my arm, tumbling out of herself into compassion. This little girl exploded into my life that day like the first bird singing in the morning. All day, she kept reaching out to me. The next day she brought me a card. Now when we see each other on campus we run toward each other and exchange hugs.

On this Friday afternoon I’m remembering, I headed into the theater. The middle school kids are bouncing around like popcorn kernels in hot oil. Jinni, Hope, and I are standing at the microphone in front of a friendly crowd. We’re singing “Let it Be,” hamming it up, swaying back and forth. The kids in the risers start swaying, too, and then they take out their cell phones, waving their lights back and forth and singing with us. When the night is cloudy there is still a light that shines on me. It’s a horse dancing with two little girls in a field. It’s a hokey and beautiful moment.

Sometime after Fred’s fourth shot of morphine, Dr. Emmel, a tiny, soft-spoken man, came in with the test results. “Good news,” he said. He’d ruled out a heart attack, blood clots, and a host of other scary sounding problems. “It looks like pleurisy,” he said, which sounded like a disease out of Little House on the Prairie, or something someone’s great Aunt Rose came down with in 1917. It turns out its an inflammation in the lining of the lungs that hurts like hell and just has to run its course. They gave us a prescription for more painkillers, pointed us toward Departure Drive, and sent us out into the late afternoon. The sun was shining and the world had no idea that we’d been there and back again today.

After my father created his desert moonscape in the garage, he swept out the debris and made the furrows clean. Then he mixed up some concrete patch, troweled it in, and smoothed it over. Fred felt well enough by Tuesday morning for me to get on a plane and head to my 30th college reunion at Notre Dame. On Saturday afternoon, I run into a few old friends whose daughter has spent the last week in the hospital. I recognize their cracked open look, that bewildered way you feel when one foot is standing firmly in the grass in the world you know and the other is resting on nothing more solid than prayer.

I’m just about a week into my second new years eve of the year, and I’m thinking again about how these funny things we call ourselves are bodies, sets of complex interlocking moving parts, mysterious in both their fragility and their resilience. I’m thinking about how love is both the thing that jackhammers you open and the thing that fills the furrows. I’m sitting in my friend Kathy’s kitchen, typing. In a few minutes I’ll head to the airport, start my journey home. Fred will pick me up at the airport in Albuquerque, both of us for the time being standing on solid ground. I’ll walk into his arms, grateful, one more time, that I’ve reached home.


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When I got home from my unexpected trip to Pittsburgh a few weeks ago the ornamental plum outside my upstairs window was blooming. Spring happened in Albuquerque while I was gone, but I’m not ready for it. It’s still lent and my joints are hurting. I’m coughing again. My voice this morning was too hoarse even to sing.

Honestly, I’m not feeling much like writing.

Years ago my husband and I were driving west across Oklahoma. “From there to here we called it coming home,” I wrote in a poem once, and I’ve always liked that line. On this particular trip the sky was tilted all off kilter; clouds and earth and sky jangled at crazy angles to each other. We listened to emergency reports on the radio, wishing we knew the city names as we tried to outrun the tornado swirling somewhere behind us.

I thought of that sky Monday night when I couldn’t sleep. The world feels all helter-skelter again. A good friend is the first to use the “t word”—the call in the middle of the night, the shock of deeply bad news. Trauma, she says, gently.

Every time someone dies, it’s hard in a new way. It’s not just that it opens the well of all the losses that have gone before, although that’s part of it. This time it’s that it feels so much like it shouldn’t have happened. Three weeks before he died, my brother Paul bought a new Subaru. This past Christmas, he bought a tree, a nativity set, a bunch of ornaments. Last summer he bought new furniture.

It isn’t that we didn’t know he was sick. For at least a year we’ve been worried. This summer we weren’t sure he would survive surgery to put a stent in his heart, but he did. When it became clear that his best hope was to get to Cleveland Clinic where the doctors might be willing to do bypass surgery, we worried that he’d die before he got there. It seemed to take forever to get the appointment arranged, while Paul’s voice on the phone kept getting weaker.

The thing is, my brother made it to Cleveland Clinic. A few Sunday mornings ago he and my brother Pat got in Paul’s new CrossTrek with Paul behind the wheel and Pat riding shotgun. They drove to Cleveland Clinic. Monday morning Paul was admitted, and Monday afternoon we all got the cautiously optimistic report that they thought they’d be able to help him. Monday night I was sleeping well when the phone rang a little after midnight Albuquerque time. I saw my sister’s name and the time and knew before I answered the phone what she was calling to tell me. Actually, I didn’t manage to answer the phone. I fumbled it and dropped it on the floor, and Fred answered on his side of the bed when she called back a moment later. Paul had had a heart attack and died.

Any editor would tell you this is a terrible story. It’s too abrupt; the irony too O. Henry. It doesn’t give you any room for resolution; there’s no denouement. Nevertheless, it’s the story I’m in.

When I walked into the funeral home Saturday morning my Uncle Larry asked me to say a few words. He’s done this before; I’ve spoken at my sister’s funeral, and at my father’s. By the time my mother died last spring the Catholic church had decided that lay people shouldn’t give eulogies at funerals, so the notes I jotted on the plane went unsaid. I didn’t think about the fact that Paul’s service wasn’t happening in a church, just a small chapel at the funeral home, so I was surprised when I walked in and my uncle said, “You’re going to say a few things, right?” There is only one answer to that question, and fortunately I’ve carried a tiny notebook around ever since I read Harriet the Spy three thousand times in middle school. I pulled it out and used the hour before the service, when relatives and old friends were gathering in the same room we all gathered in just last May, to try to figure out what to say about my brother.

Here’s a story I’ve never told. One night my sister Meg came home and something was wrong. I was little and watching the commotion in the street from an upstairs window. Someone, I think, had hurt her. My brother, nine years older than I, two years older than Meg, was losing it. “I’m going to kill him,” are the words that still remain, along with a flurry of efforts to hold him back, and some unremembered resolution of the night back into calm. By which I mean at some point I got in bed and proceeded not to think about the events of the night ever again. I wouldn’t have sought comfort or understanding. If my mother had stuck her head in to check on me, I would have pretended to be (and to have been) asleep. I do not know why this was so.

Here’s another story I’m trying to figure out. When we moved into the house on Marvle Valley I was three and my mother wasn’t with us. She was in the hospital losing a baby, and, I think, fighting for her life. My sisters are trying to piece that time together. They were in school, and Judy thinks they might have stayed with our grandmother whose house was close enough to St. Albert’s for them to walk. Where was I? I keep asking them, and they can’t tell me. They don’t think I was with them. How could you have left me? I keep asking them, all weekend, until it becomes its own story. Remember that time when I was three and we moved out of the house in Baldwin and you all went to stay with someone else and forgot me? What did that three year old know? What was she afraid of? In April 1967, did she believe her mother was never coming back? Had she been anticipating the baby that would have released her from her role as youngest? How did you all move out and leave me, I keep asking all weekend, as though that’s a story that actually happened.

Paul, I think, would have remembered. He would have known where I’d been left. What remained for me from the night he wanted to kill someone was the knowledge that my brother would always have my back. That’s what I say at the funeral. I don’t tell the story about how I knew.

Having an uncle who is a priest is never more of a gift than when he is leading the prayers at a funeral. Uncle Larry is standing behind the podium at the front of the chapel. He says, “When I say Lord have mercy, will you say, Lord have mercy.” I love the repetition of “When I say…Will you say…” That’s the litany my uncle’s prayers repeat and I fall into it. You do not have to have anything of your own to offer. You do not have to believe what you are saying. Your voice does not have to be strong. All you have to do is say the words out loud.

It takes a toll on him, officiating at family funerals. My uncle looks tired today, and older than I’ve seen him before. There were twenty-two of you, he tells me, meaning the children of his brothers and sisters. Five have died.

Yesterday afternoon I was on the phone with one of my students’ parents, a woman I’ve spoken to many times over the years. She asked how I was doing, and thinking she had heard about my loss, I told her I was muddling through. She hadn’t heard, so I told her, and she said something like, “Oh– you are still walking with God.” I am not sure that I heard her right, but I love that expression. I’m in those days of walking through the in-between space.

Here’s an image I don’t understand. The other night I walked outside and imagined that all the planets and constellations and blinking satellites had been lined up like icons on a computer screen. Gone was the spray of star I’m used to seeing. Someone had clicked on “align to grid” and they were all there, arranged neatly in two dimensions. I don’t know why I had that thought.

And here’s another. Years ago on the beach in North Carolina we flew a kite so high it disappeared; the string was wet and the only sign that the kite was still there was a certain tension, a vibration, a tugging on the string.

The last day Paul was alive was the last day I saw the three cranes I’ve been driving by all winter at the church on the corner of Taylor Ranch and Montano. They flew off to wherever they go when spring comes.

According to the American Psychological Association, “Writing about difficult, even traumatic, experiences appears to be good for health on several levels – raising immunity and other health measures and improving life functioning.”

Since Paul died I’ve been achy and exhausted and ill. I resent the early and longer light. I miss the cranes.

Don’t get me wrong. I know that I’m wallowing. I know that my little troubles pale against the world’s pain. I know that I can’t stay here, hunkered down, curled up, closed. I know that the stars are infinite and deep and that the ground in spring is eager to bloom. The inverse of grief is gratitude, and it soars like a kite into the sun. I’d be lying if I said I can feel it tugging at me, but there’s a faint vibration humming on the string.



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Newton’s Cradle

I’m waking every morning before my alarm. If I program the coffee pot right, it makes a little sighing noise just before my alarm goes off, and by the time my phone chirps, I can smell the coffee.

At least once a week, I do something wrong. Maybe I’ve ground the beans and set the timer, but forgotten to add the water, or I’ve added the water and ground the beans but left them in the grinder. Sometimes I forget to start the coffee altogether. One night last week I did everything but put the pot under the opening where the coffee comes out.

Last night I filled the reservoir with water, ground the beans, poured them into the filter, and hit the “auto-start” button, so this morning I was confused to find a pot of lukewarm coffee at 5:00 a.m. The best I can figure out is that the power flickered and the auto-start happened at midnight. Then my coffee “kept warm” for four hours, and then it gave up and got cold.

I know what you are thinking. How does she manage to endure such hardship?

Believe it or not, that was already a lot of quantitative thinking for me at five in the morning, so you might be surprised that I’m planning to write about physics today. I never took a physics class, so I invite you to make an informed decision right now about whether or not you should continue to read on.

Despite my lack of formal study, over the years I’ve learned these two things:

  1. The faster a fluid moves the lesser is its pressure. I learned Bernoulli’s principle in eighth grade. I can still see the picture in our textbook. A big-cheeked child is blowing between two strips of paper and the papers are moving closer together. I remember this principle, though, because of the near rhyme. The feel of the words in my mouth was always what I liked about math and science. (Didn’t every kid write a poem about Pythagoras in the margins of her geometry notes?) The other reason I remember Bernoulli’s law is that I chant it and the Memorarae when I’m flying to keep the plane from dropping from the sky. So far it’s worked every time.
  1. Every action has an equal and an opposite reaction. I remember that one because of the obvious metaphorical implications. There’s a novel lurking there.

Everything else the rest of you learned in physics class is chemistry to me, even though every few years I try to read Stephen Hawkings’ Brief History of Time or Richard Feynman’s Six Easy Pieces. I scribble poems in those margins, too.

I’m writing about physics this morning because my sisters and I tried to buy my brother a Ferris wheel for Christmas. Paul has a big picture window in his apartment that looks out over a miniature golf course where a giant dinosaur roars, and he thought the Ferris wheel would look nice sitting on a table in front of that window. The furniture store where he had seen it didn’t have it in stock anymore, but Clare found what we thought was the same thing on Amazon. The other night talking to Paul on the phone I asked if it had come in yet.

“There was a delay,” he told me. The BOJIN Company explained what happened in a very nice email.

We feel sorry to inform you that the item you purchased in our shop “name” is detained by custom and does not pass through the inspection in custom from H.K. to the U.S., so we contact related stuff immediately and they provide some reasons below:

  1. Potential risk of some metal materials of the product
  2. Huge size

Therefore, to most degree, the item cannot send to your address successfully despite we really want to make this deal and provide you our talented product.

I suppose it’s good to know that US Customs Officials are on the job, protecting us to most degree from huge Ferris wheels made of toxic metals. I know I’ll sleep better tonight. In terms of a Christmas present, though, it looks to most degree as though Paul is out of luck. I’m imagining a well-timed, sort of resigned roar from the dinosaur outside as Paul received this news.

But the BOJIN Company really was sorry for not shipping their talented product, so they arranged another product as a gift to your address.

“So, they sent me a Newton’s Cradle,” my brother told me, and for some reason this struck both of us as hilarious. You ordered a Ferris wheel, which you can’t have, so take this Newton’s Cradle!

I’m imagining the lyrics to a country song. “You broke my heart, like a cheap plastic ladle; now all I’ve got is this Newton’s Cradle.” Before you tell me to keep my day job, try this at home. It’s harder than it looks to rhyme with cradle. Here’s my second try: “I never thought that you would skedadle, but you scooped out my heart with your cold-fisted ladle…” (You have no idea how much trouble I’m having convincing auto-correct to stop putting a second d in skedadle.) 

You probably took a physics class or two, so you already know that a Newton’s Cradle looks something like the parallel bars in men’s gymnastics with a bunch of symmetric balls suspended between them on wires that hang in perfect Vs. If you imagine five or six gymnasts hanging straight down from the bars in a row, their arms and heads make roughly the same shape. To make this image work, you have to imagine the gymnasts ending at the bottom of their heads, and then those heads knocking into each other, so I guess this could get a little grisly, but there it is. Blame it on my coffee being cold this morning. If you want a less bloody visual, look it up on Amazon, and you’ll find a bunch of sophisticated items that look like things you’d buy in a museum gift shop.

Except for the one the BOJIN Company sent to Paul. His Newton’s Cradle came with seven single A batteries and blue and red flashing lights.

Before I asked about the Ferris wheel, Paul and I had been talking about his efforts to get his nitroglycerine prescription refilled and how long it was taking to get an appointment at the Cleveland Clinic. I’m sure Allegheny General Hospital does some things well, but from a distance, it doesn’t seem like taking care of my brother is one of them. After the dinosaur roared again (Ok, I’m lying about that. There really is a dinosaur and he really does roar, but this miniature golf course is in Pittsburgh and it’s February. He’s probably not roaring tonight.), we started imagining all sorts of problems that might be solved by a Newton’s Cradle.

“Well, we know you wanted those nitroglycerin pills for when your heart stops beating. We can’t give you those, but here, enjoy this Newton’s Cradle!”

“We know that you really want bypass surgery. We can’t do that, but here, take this Newton’s Cradle!” We thought we were hilarious.

Of course, after we got off the phone I had to look it up. I assumed that this nifty physics toy illustrated one of the two things I know about physics. Knock the ball on the end into the next ball and (voila!) watch the equal and opposite reaction. But that wasn’t the case. Knock the ball on the end into the next ball and it just sits there. So do the next couple of balls. Then, finally, the ball on the far end shoots out, and I’m learning physics fun fact number three: the law of the conservation of momentum.

I went to the NASA web site to see if ten or fifteen minutes of deep study could teach me anything. NASA said this:

F=ma=m (deltaU/DeltaT). (I’m pleased with myself here. Where I’ve cleverly written “delta,” NASA had little triangles that I don’t know how to enter with a keyboard. If you’re curious, the poem beginning in my mental margin has something to do with little triangles of change.)

I kept reading. “Momentum is defined to be the mass of an object multiplied by the velocity of the object.” Ok, NASA, I think I’m with you so far. I can imagine a giant snowball rolling downhill. But perhaps I’m confusing myself, because from somewhere deep in my brain I’m hearing thirty-two feet per second per second, which I remember, I’m sure, because it sounds kind of like “Half a league, half a league, half a league onward.”

A week or so later “The Charge of the Light Brigade” is still stuck in my head and I’m on the phone with my sister the science teacher. She provides perspective immediately. It’s all part of that whole “energy can neither be created or destroyed” thing, Clare tells me. The first ball has energy, it transfers it to the next one, which transfers it to the next one, until there’s no one left to transfer it to, so the last little ball yells “Yippee, I get the energy!” and pops out. You can probably tell which part of that explanation I ad-libbed.

So I’ve spent the week learning about momentum and trying to find something worthwhile that could pop out at the end of this essay. My father the engineer hated when sports analysts talked about a team having momentum. “It doesn’t mean anything,” he would say.

And that’s exactly my problem. All I’ve given you is a big jumbled mess of giant toxic Ferris wheels, lonely dinosaurs roaring in the night, and conversations with my siblings. Yesterday I almost gave up when I realized I’d done all this writing just to end up at Mick Jagger. Really? All these words for “You can’t always get what you want”? It doesn’t even make sense. Who needs a tacky Newton’s Cradle all blinged out with clacking balls and blinky lights?

At the very least, I’d like to give you one new word. Maybe we can get a jumpstart on making it one of 2016’s Words of the Year.

Newton’s Cradle. Verb, intransitive. To substitute without irony an unrelated perhaps tacky item for something a person desires or needs. As in, “Why did you give me this blow-up chicken? I ordered a bowl of borscht. Are you trying to Newton’s Cradle me?”

That’s all I’ve got. Oh, except this image that was in my head when I woke up Tuesday morning after falling asleep listening to the Iowa caucus results. I offer it to you without irony as a tacky substitute for any moment of real insight or emotion that you might have hoped to find here.

I’m picturing all of the candidates’ heads, suspended from two parallel bars. The one at the end (it might be the one with the funny hair) bonks into the next one, who doesn’t move, and so on down the line, clear into summer, until one of them pops out the other side, shouting “Yippee! I got the nomination!”

I’ll close with one final thought from the BOJIN Company: Please kindly forgive our ineffectiveness and impertinence.

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I think the grandchildren are playing a survival game. Things have gotten quieter than they were a few hours ago, when stuffed animals were flying from the loft into the family room, and ten legs were running up the stairs and down the stairs in random, urgent patterns. The cousins (five of them, aged nine through eleven) are together for a few days, and imaginations are flying. I’m cooking a pot roast and pouring a glass of wine.

I never know quite what the kids are playing. One year, all their games involved paper airplanes. They made hundreds of them. They taped long strings to the fuselage and launched their planes from the top of the stairs into the family room, over and over and over again. Like tiny fishermen, they would reel each plane back in, only to launch it again. For months we were finding airplanes all over the house: behind the piano, under the washing machine, slipped between a picture frame and the wall.

Now the movement up and down the stairs has gotten quieter. They tiptoe and hug the walls. The dogs, who failed to dial back their exuberance on the kids’ schedule, have been banished from play land. Circuit, my stepdaughter’s lab, has the good sense to fall asleep across the bottom of the stairs where the kids have to climb over him every time they go by. Rusty, never one to take no for an answer, still wants to play. He wanders from adult to adult, tapping us with his paw, nudging us with his nose, trying to get us to behave more like the children. We let him down. Eventually he gives up, falling asleep with his head on my feet, his body angled into the middle of the room like a minute hand. Many hours from now the last cousin will follow his example; the public imaginings of the day will give way to the private play of the night.

After the Texas cousins have gone home and the locals have headed across town, I find artifacts. Once I pulled a crayoned short story called “Spy Dogs and the Cats Jewel” from the trash. I kept it because the curly-haired seven-year-old author ended her story by throwing a cat into a boiling cauldron. Not to worry, though! It turned into a diamond! Judging by the exclamation points, the author thought this was a happy ending.

This afternoon, cleaning up after the maelstrom has blown through, I find three little scraps of loose-leaf paper. One says “Food” and includes a picture of a pizza. Another scrap says “Water,” illustrated by a half-full glass. I’m thinking about how easy it is to fill your needs when you’re living in single digits. I toy with the idea of making my own paper slips. “More retirement savings” I might write on one, next to a pile of money, or “more hours in the day,” drawing a clock with extra numbers. Mine lack the kids’ simplicity. Water, food. They know how to cut to the chase. “Dark chocolate,” I think. That’s better.

Snow falls in Albuquerque all day and I’m still thinking about those scraps of paper as I head out into the cold evening with Rusty. I like to pretend Rusty is checking on the neighborhood, locking the doors before we all call it a night. I don’t mean to suggest he’d make a good guard dog. If anything were amiss, Rusty would be the guy in sunglasses angling away from it, talking into the side of his paw. “Chief, I’m picking up something suspicious by the hydrant. Could be that coyote again. You might want to send Coconut to check it out.” Then he’d plant his feet, point dramatically with his nose, and refuse to take another step until I agreed to cross the street, putting some distance between us and whatever danger might be lurking.

Tonight there isn’t much to see. The clouds have cleared off to make way for a dim spray of stars. Outside the Griswold’s, giant blow-up Rudolph is having a tough time. His little engine is whirring away, but his front legs, which have looked a little wobbly all winter, have buckled beneath him, and his nose has become a red smudge glow on the snow. I feel like I should prop him up, or ring the doorbell until someone comes to see what’s wrong, or shoot him to put him out of his misery. Up the hill, green and red lights on a huge wall flash an aggressive “Jesus is the reason for the season.”

We’re meandering, here, Rusty and I. I’m thinking about how many times we have walked this circle around our neighborhood. 2015 was one of those years that you get to the end of, take a deep breath, and say, ok, off you go, year. Bring on a new one. It wasn’t that it was terrible, it was just one of those years that wouldn’t let you get complacent. I’m not even talking about the way the problems of the world kept clamoring to be seen and heard and acted upon. I’m taking 2015 personally. I mean Fred’s fall on the ice in February, his broken ankle, my mother’s death, my brother’s heart and liver problems, and the way my own body started trying to get my attention, way back in June, hinting that something new was underway.

I was standing up to my chest in the ocean outside my good friend’s condo in Cocoa Beach. I was laughing as the waves knocked me around. For just a moment I forgot to keep an eye out for sharks or tsunamis or rogue lightning from a storm ginning up ten miles out to sea. I was casually eyeing a big swell moving in on me. Should I swim out to meet it and dive under? Turn my back and let it surf me in toward shore? Where’s it going to break?

In that moment, one of those sentences that demands my attention, as if it were written in contrails on the horizon, came to me. Trouble will come, the Atlantic sky said. Pelicans were diving for fish and kids were playing with sand pails on the beach behind me. Fred was a few yards down the shore, walking in the shallow surf. Trouble will come, the world said to me again, and I found myself oddly flooded with peace. It wasn’t a warning; it was permission to let down my guard. Of course trouble will come. No need to keep an eye out for it. Worry disappeared like a bubble of salt air and everything made sense. For one eternal minute, bobbing in the swells, I was Buddha. I was at home in a perfect, broken, glorious world.

In the next instant, I realized why Sidhartha waited for enlightenment resting under a banyan tree instead of bouncing in the Indian Ocean. A huge wave I didn’t see coming somersaulted me into the sand. I surfaced with scraped knees, sputtering saltwater, hearing Fred laughing behind me on the shore.

And then the summer wore on and trouble came. The more yoga I did, the tighter my body tensed. The more walking I did, the more I found myself out of breath as I crested a tiny hill I’ve been walking and running up for years. The more sleep I got, the more midday naps I needed. As fall came and school started, I pulled a muscle in my back. Then my hands started swelling. Then my feet and legs swelled to where I couldn’t always get my shoes on. Pain became as normal as lack of pain has always been. In June I was kayaking and stand-up paddle boarding in the Banana River. In October, I couldn’t open the blinds in my classroom without asking a friend for help. Fred and I joked that I had closed the decade gap between our ages and then some; all of a sudden I was fifty-one going on eighty-four.

When I go to a new doctor, it always takes forever to fill out the family history paperwork. I need a box that says “all of the above.” Heart disease, check. Liver cancer, check. Diabetes, check. Alzheimers, check. When I was younger, I used to think that if I could just get out of my twenties without contracting a chronic illness, I would be home free. One day this fall while I was still trying to convince my doctor that something wasn’t right, I caught a glimpse of myself in the mirror. It was the way I was holding my arms—the line from my elbow through my wrists to my fingers was a line I’d seen before. These weren’t my arms, they were my brother’s, who has been living with psoriatic arthritis for most of his life. They were my nephew’s arms; he was diagnosed with juvenile arthritis when he was three.

It turns out my autoimmune system is just like the rest of me, good at imagining trouble where there isn’t any. The story of my last six months is the story of losing my pass in the “Gets to Take her Health for Granted” club. It’s the story of watching my body surprise me, not with its ability to run another mile or balance in tree pose, but with my inability to close my fingers together into a fist, or to put on a shoe over a swollen foot. It’s the story of heating pads and fingers that turn white in the cold and joints that swell and drugs that work or don’t as they swim mysteriously through my blood. It’s a story of uncertainty, of learning to say “I can’t,” and of learning, for the millionth or so time, that I am not in control.

So I’m ok with sending 2015 on its way. I’m back in the house, tucked under my Steelers’ snuggy. I’m sitting on the couch with my laptop on my lap and Rusty’s head on my hip, my elbow resting just behind his ears. I’m thinking about Robert Hass’s poem “Faint Music” that begins with the line, “Maybe you need to write a poem about grace.”

Trouble, I’m starting to understand, is the guest you aren’t supposed to prepare for. He’s the guest that just shows up, and you either let him in gracefully or try to pretend you aren’t home. I’m trying to be a decent host to this idea that my body has a plan of its own. I’m trying to be grateful that my immune system did its job well for my first fifty-one years. I am grateful that chronic means something I’m going to live with for a long time, not something that is trying to kill me any time soon.

I couldn’t bring myself to throw the grandkids’ scraps of paper away. I left them on the kitchen counter for a few days, and then I brought them upstairs and set them on my desk. I fanned them out this morning, set them by my coffee cup when I sat down to write.

The third scrap of paper has a picture of a test tube. Inside, a blue ink liquid boils while bubbles float above. The word on this one says “Cure.”

Leave it to the kids to provide perspective. Water, food, and a cure. Bring on 2016. It looks like I have everything I need.



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